Original screenprint by Sir Eduardo Luigi Paolozzi (1924 Leith - 2005 London) in colors, printed and published 1971 in Munich by Dorothea Leonhart. In the lower left corner with gallery dry stamp ,Dorothea Leonhart München'. Signed in pencil, numbered 2051 / 3000 English Pop Art by Sir Eduardo Luigi Paolozzi (1924 Leith - 2005 London).
Original screenprint by Sir Eduardo Luigi Paolozzi (1924 Leith - 2005 London) in colors, printed and published 1971 in Munich by Dorothea Leonhart. In the lower left corner with gallery dry stamp ,Dorothea Leonhart München'. Signed in pencil, numbered 2606 / 3000
Original screenprint by Sir Eduardo Luigi Paolozzi (1924 Leith - 2005 London) in colors, printed and published 1971 in Munich by Dorothea Leonhart. In the lower left corner with gallery dry stamp ,Dorothea Leonhart München'. Signed in pencil, numbered 2798 / 3000
Original screenprint by Sir Eduardo Luigi Paolozzi (1924 Leith - 2005 London) in colors, printed and published 1971 in Munich by Dorothea Leonhart. In the lower left corner with gallery dry stamp,Dorothea Leonhart München'. The screenprint is signed in pencil, numbered 2606 / 3000. Image size: 740 by 495mm (29¼ by 19½ inches). Sheet size: 850 by 600 mm. Note: this is an oversize and fragile artwork, which requests an individual calculation for the shipping cost. In the lower left corner with gallery dry stamp,Dorothea Leonhart München'. Signed in pencil, numbered 2606 / 3000 Only one copy on stock!
Original screenprint by Sir Eduardo Luigi Paolozzi (1924 Leith - 2005 London) in colors, printed and published 1971 in Munich by Dorothea Leonhart. In the lower left corner with gallery dry stamp,Dorothea Leonhart München'. Signed in pencil, numbered. Image size: 740 by 495mm (29¼ by 19½ inches). Sheet size: 850 by 600 mm.
Original screenprint by Sir Eduardo Luigi Paolozzi (1924 Leith - 2005 London) in colors, printed and published 1971 in Munich by Dorothea Leonhart. In the lower left corner with gallery dry stamp ,Dorothea Leonhart München'. Signed in pencil, numbered 1135 / 3000
Original screenprint by Sir Eduardo Luigi Paolozzi (1924 Leith - 2005 London) in colors, printed and published 1971 in Munich by Dorothea Leonhart. In the lower left corner with gallery dry stamp ,Dorothea Leonhart München'. Signed in pencil, numbered 1183 / 3000
Original Siebdruck „Flowers" von Andy Warhol 1972, erschienen in New York bei Sunday B. Morning editions. Rückseitig mit Verlagsstempel ,Sunday B. Morning' und ,fill in your own signature'. Andy Warhol (1927-1987) In the 1960s, Warhol began producing paintings of famous American products such as Campbell's Soup Cans by Campbell Soup Company and Coca-Cola, as well as images by celebrities such as Marilyn Monroe, Troy Donahue, and Elizabeth Taylor. He founded his studio "The Factory" in those years and gathered a variety of artists, writers, musicians and underground celebrities. He switched to serigraphs, which he produced serially, and not only sought to make art from mass-produced items, but also to produce mass art himself. Warhol reduced the role of his own hand in the production of his work and declared that he wanted to be "a machine," and Warhol unleashed a revolution in the arts. His work quickly became very controversial and popular. Warhol's work from this period revolves around the American Pop (Popular) culture as Roy Lichtenstein. He painted dollar bills, celebrities, brand name products, and snippets of newspaper clippings - many of which were iconic headlines from the decade (eg, photos of mushroom clouds and police dogs attacking civil rights protesters). His motives were instantly recognizable and often had a mass appeal. This aspect interested him the most and unifies his pictures from that time.
Original Siebdruck des Mao Tse Tung Portraits von Andy Warhol 1972, erschienen in New York bei Sunday B. Morning editions. Rückseitig mit Verlagsstempel ,Sunday B. Morning' und ,fill in your own signature'.
Andy Warhol (1927-1987)
In the 1960s, Warhol began producing paintings of famous American products such as Campbell's Soup Cans by Campbell Soup Company and Coca-Cola, as well as images by celebrities such as Marilyn Monroe, Troy Donahue, and Elizabeth Taylor. He founded his studio "The Factory" in those years and gathered a variety of artists, writers, musicians and underground celebrities. He switched to serigraphs, which he produced serially, and not only sought to make art from mass-produced items, but also to produce mass art himself. Warhol reduced the role of his own hand in the production of his work and declared that he wanted to be "a machine," and Warhol unleashed a revolution in the arts. His work quickly became very controversial and popular. Warhol's work from this period revolves around the American Pop (Popular) culture as Roy Lichtenstein. He painted dollar bills, celebrities, brand name products, and snippets of newspaper clippings - many of which were iconic headlines from the decade (eg, photos of mushroom clouds and police dogs attacking civil rights protesters). His motives were instantly recognizable and often had a mass appeal. This aspect interested him the most and unifies his pictures from that time.
Original Siebdruck des Marilyn Monroe Portraits von Andy Warhol 1972, erschienen in New York bei Sunday B. Morning editions. Rückseitig mit Verlagsstempel ,Sunday B. Morning' und ,fill in your own signature'.
Andy Warhol (1927-1987)In the 1960s, Warhol began producing paintings of famous American products such as Campbell's Soup Cans by Campbell Soup Company and Coca-Cola, as well as images by celebrities such as Marilyn Monroe, Troy Donahue, and Elizabeth Taylor. He founded his studio "The Factory" in those years and gathered a variety of artists, writers, musicians and underground celebrities. He switched to serigraphs, which he produced serially, and not only sought to make art from mass-produced items, but also to produce mass art himself. Warhol reduced the role of his own hand in the production of his work and declared that he wanted to be "a machine," and Warhol unleashed a revolution in the arts. His work quickly became very controversial and popular. Warhol's work from this period revolves around the American Pop (Popular) culture as Roy Lichtenstein. He painted dollar bills, celebrities, brand name products, and snippets of newspaper clippings - many of which were iconic headlines from the decade (eg, photos of mushroom clouds and police dogs attacking civil rights protesters). His motives were instantly recognizable and often had a mass appeal. This aspect interested him the most and unifies his pictures from that time.
Screen print and lithograph on Astralux mounted on thick card. Signed Eduardo Paolozzi lower right, with the number 65 in lower left corner, probably an artist's proof. Printed at Advanced Graphics and published by Petersburg Press, London. Note: this is an oversize and fragile artwork, which requests an individual calculation for the shipping cost. Edition of 80. A fun and rare original signed print by Eduardo Paolozzi, one of the founding fathers of Pop Art.
